Entertainment
Malaysia’s Woo Ming Jin Returns to Busan With ‘Stone Turtle’
Published
2 years agoon

Malaysian filmmaker Woo Ming Jin, whose work has been showcased on the Busan Worldwide Movie Competition from his first function “Monday Morning Glory” (2005), is again together with his newest function “Stone Turtle.”
The movie, which received the FIPRESCI Prize at Locarno earlier this yr, follows a lady residing within the peninsular Malaysian east coast, who will get entangled with a stranger who claims to be a turtle researcher, in a harmful dance of duplicity and deception.
“Stone Turtle” originated from the time Woo spent on the east coast of Malaysia just a few years in the past, the place he met some turtle egg poachers and villages that subsisted on this commerce. He realized quite a bit in regards to the area’s historical past, tradition and lifestyle and this turned his impetus for creating the protagonist of the movie.
“I had at all times been drawn to the richness of Malaysian folklore and myths and felt they haven’t been depicted in cinema a lot. The unique folklore of ‘Stone Turtle’ is a narrative that mirrors the journey of [the main character], and I attempted to make use of that as a place to begin to delve deeper into the character’s quest,” Woo informed Selection.
Woo was additionally impressed by Park Chan-wook’s “Thirst” and Hiroshi Teshigahara’s “Girl within the Dunes,” each of which revolved round two characters. “Similar to these movies, I’d needed to make a movie centered on two characters in a single location, partly for sensible causes – it was the pandemic and we had limitations by way of crew and what we may do,” says Woo.
“The movie is considerably private and offers with social themes which might be current in lots of my movies, so in that method it’s not really an enormous departure. The distinction for this movie is that I needed to be extra playful, and I needed to make one thing that was extra emotionally accessible and thought frightening,” provides Woo. I needed the viewers to go on a roller-coaster trip the place they aren’t so certain what sort of movie they’re watching, but nonetheless be completely invested. ‘Stone Turtle’ is a time-loop revenge thriller with magical realism and a touch of animation thrown in.”
The movie, a co-production between Malaysia’s Greenlight Photos and Indonesia’s KawanKawan Media, is produced by Woo, Edmund Yeo, Yulia Evina Bhara and Cheng Thim Kian. It was financed by authorities grants and COVID-relief funds with assist from Malaysia’s Nationwide Movie Improvement Company (FINAS) and personal fairness.
“After our pageant run, we hope to safe some territories for theatrical distribution, as we hope that this movie could be loved by audiences on the large display. We’re at the moment in talks with numerous movie distributors,” Yeo informed Selection. “We’re additionally very glad to work along with Yulia and KawanKawan Media to discover the colourful Indonesian movie market.”
KawanKawan Media’s Bhara informed Selection: “We noticed its potential for Indonesian audiences and market. Past that, a very powerful issue for us is to strengthen the collaboration amongst Southeast Asian filmmakers.”
The movie, which options Indonesian stars Bront Palarae and Asmara Abigail, will play at just a few Indonesian festivals subsequent. KawanKawan is aiming for a large launch in Indonesia subsequent yr.
Woo is a pioneer of the Malaysian New Wave whose work has traveled to Cannes, Berlin and Venice. “I believe the motion was a response to an absence of numerous content material in Malaysia, and to a sure diploma, confirmed the potential of what Malaysian cinema could be. So I’m grateful for that interval and the movies that got here out of it. However I prefer to look forward, and never on the previous,” says Woo. “Cinema is continually evolving, in order filmmakers, we should evolve as effectively, to proceed increasing our canvas, no matter which may be. I for one, would like to see a brand new group of filmmakers rising from Malaysia, a lot as we’ve seen in our neighbouring international locations. I consider the longer term could be very vibrant.”
There are certainly vibrant indicators on the Malaysian field workplace as native movies have been performing effectively theatrically, post-pandemic. “It’s refreshing to see, although the scope of what’s thought-about a marketable movie continues to be considerably slim. You’re taking a look at horror and motion motion pictures, and never a lot else, made for the Malay viewers,” says Woo. “It’s nonetheless very difficult to market movies that don’t fall particularly into these classes. However as a filmmaker, I’m very cognizant of the altering landscapes, in time period of how we will economize our movies. With the addition of OTT platforms, I believe there are extra choices for filmmakers. I really feel optimistic in regards to the close to future as there are extra co-productions and native authorities businesses like FINAS are stepping as much as the plate to assist filmmakers who may also help develop the nation’s cinema.”
Subsequent up for Woo is horror movie “Indera,” which is in put up and due a 2023 launch. Yeo and Woo have some Asian and Southeast Asian tasks in improvement and Woo can also be growing his English-language function debut with some U.S.-based producers.
“Stone Turtle” premiered in Busan on Oct. 7 as a part of the A Window on Asian Cinema strand. Parallax Movies is dealing with worldwide gross sales.
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Entertainment
Inexperienced Day Film in Manufacturing at Dwell Nation
Published
3 minutes agoon
February 10, 2025
A comedy film impressed by (and developed with) Inexperienced Day is being produced by Dwell Nation Productions.
Titled “New Years Rev,” the movie is a coming-of-age story of three associates — performed by Mason Thames, Kylr Coffman and Ryan Foust — who journey to Los Angeles, mistakenly believing that their band is opening for Inexperienced Day on New 12 months’s Eve.
Per the logline, “Their roadtrip is a rowdy and mischievous jaunt throughout the nation crammed with adventures, primarily based on the exploits of Inexperienced Day and their years of dwelling in a tour van.”
The movie, written and directed by Lee Kirk, additionally stars “The Workplace” favorites Jenna Fischer and Angela Kinsey, alongside Ignacia Diaz-Silverado and Eager Ruffalo. Manufacturing is underway in Oklahoma.
“Van days rule. You’ll drive all evening on no sleep then play a present for 10 youngsters in a basement of a good friend of a good friend’s home 50 miles east of wherever you’ve ever heard of,” stated Inexperienced Day frontman Billie Joe Armstrong in a press release. “However you’ll do it once more the following day, and the one after that. Since you’re doing it along with your bandmates who grow to be your loved ones and it’s in contrast to something you’ve ever identified. It’s electrical. Let the music and mischief ensue.”
“New Years Rev” is produced by Tim Perell for Course of; Inexperienced Day’s Armstrong, Mike Dirnt and Tre Cool; and Stella Bulochnikov for Pat Solitano Productions. Ryan Kroft and Michael Rapino for Dwell Nation Productions and Jonathan Daniel are government producers.
Inexperienced Day, the rock trio behind different classics like “Basket Case,” “American Fool” and “Good Riddance (Time of Your Life),” launched its newest album, “Saviors” in 2024. The California rockers are set to headline Coachella in April.
Dwell Nation Productions is the movie and TV arm of Dwell Nation Leisure. Its music-inspired tasks embrace the Oscar-winning “A Star Is Born,” “Moonage Daydream,” “Love, Lizzo” and Anderson .Paak’s upcoming scripted characteristic “Ok-Pops.”
“With unbelievable steering from Inexperienced Day, ‘New Years Rev’ tells the story of younger artists chasing a dream — lengthy nights, limitless miles, and the electrifying rush of the stage fueling their journey,” stated Kroft, Dwell Nation Productions’ head of movie and TV. “Dropped at life by an unbelievable forged, it’s a tribute to the magic of dwell music.”
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When it’s time to have a good time, Funko Pop is all the time there to get the get together began. Lower than 24 hours after the Philadelphia Eagles defeated the Kansas Metropolis Chiefs on Sunday night time, the merch model has unveiled an unique figurine assortment of the workforce’s star gamers: Jalen Hurts, Saquon Barkley, DeVonta Smith, A.J. Brown, and Darius Slay.
The five-piece assortment is completely out there on Fanatics.com for $99.99 — and makes the right Eagles merch for the sports activities fan in your life.

Philadelphia Eagles Funko
However when you put on your coronary heart (sports activities loyalty) in your sleeve, there’s no scarcity of Eagles attire to have a good time their Tremendous Bowl win — from locker room T-shirts to baseball caps — the identical ones worn throughout the workforce’s champagne celebration after closing out the NFC Championship sport.
Different enjoyable collectibles embody this Framed 2024-25 NFC Champions Collage and this Igloo Coozy.
The Eagles defeated the Chiefs on Sunday to win the Tremendous Bowl for the second time since 2018. The Eagles’ 40-22 win denied Kansas Metropolis the possibility to make NFL historical past with a 3rd consecutive Tremendous Bowl win. The Eagles dominated the primary three quarters of the sport held at New Orleans’ Superdome. Philadelphia stored the reigning champs scoreless till the ultimate three minutes of the third quarter.
“God is sweet,” Hurts stated when Fox Sports activities host Terry Bradshaw requested him the way it felt to go all the best way after dropping two years in the past to the Chiefs. Hurts emphasised the extent of teamwork that it takes to achieve the top of the NFL. “It’s by no means been about what any considered one of us does — it’s all the time been about what we do,” Hurts stated.
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Entertainment
Charli xcx and Noah Kahan Be part of Chappell Roan in Pledge to Assist Artists
Published
2 hours agoon
February 10, 2025
Chappell Roan’s conversation-stirring Grammy evening speech has incited motion from the music business to offer artists with livable wages and healthcare. Charli XCX and Noah Kahan joined the dialog on-line, with each pledging to match Roan’s $25,0000 contribution for rising artists.
After Roan gained finest new artist on the Grammys and used her speech to carry report labels accountable, demanding that labels within the business profiting thousands and thousands of {dollars} off of artists ought to “provide a livable wage and well being care, particularly growing artists,” an argument continued over a criticism of the speech revealed by the Hollywood Reporter and penned by Jeff Rabhan (former chair of New York College’s Clive Davis Institute of Recorded Music).
Roan challenged Rabhan to match her $25,000 donation to struggling artists, however he prompt she direct her followers to donation funds as a substitute.
“Followers, y’all don’t must donate a rattling penny,” Roan wrote on Instagram on Feb. 9. “That is certainly one of many alternatives for the business powers to indicate up for artists. There may be rather more work to be executed.”
Referencing a line Roan highlighted from Rahab’s piece, each Kahan and Charli ended their social media posts stating, “Cash the place my mouth is!”
“I’m impressed by you,” Kahan wrote in an Instagram story. “Joyful to assist get the ball rolling. Cash the place my mouth is!”
Charli wrote, “Hey @chappellroan I’m going to match your $25k to help artist’s entry to healthcare. I noticed @noahkahanmusic say that [he] would do the identical and so I [thought] I’d observe go well with. You speech on the Grammys was inspiring and considerate and from a real place of care. Joyful to assist get the ball rolling too. Cash the place my mouth is.”
Rahab’s follow-up response to Roan’s donation problem was additionally directed at Halsey, who backed Roan with a prolonged Instagram put up following the op-ed. For Halsey, Rabhan’s article learn as a “tantrum filled with accusations and generalities.” She criticized the outlet writing, “That is to date beneath the usual it’s best to uphold as a publication.”
Over the weekend, Roan additionally revealed a brand new partnership with Backline — a non-profit group supporting artists in want — branded “We Bought You,” a line Roan initially utilized in her Grammys speech: “Labels, we received you, however do you bought us?”
“In a world the place psychological well being care and wellness typically takes a backseat, this initiative goals to lift funds and supply very important sources for artists who want entry to psychological well being care,” the group writes on Instagram. “Chappell Roan’s monumental speech on the Grammys final week was a game-changer, as she courageously advocated for higher help for artists in every single place. Her phrases had been a strong reminder of the essential want for well being and well-being for artists within the business and now, by this initiative, we’re turning advocacy into motion.”
Be part of Chappell & others within the business in making a distinction – collectively, we’ve received you! Thanks Chappell Roan for standing up for artists in every single place!
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Entertainment
Kendrick Lamar, SZA Announce Grand Nationwide Tour New Dates
Published
3 hours agoon
February 10, 2025
Following their triumphant Tremendous Bowl halftime efficiency, Kendrick Lamar and SZA have introduced new dates for his or her “Grand Nationwide” tour, introduced by Stay Nation, pgLang and High Dawg Leisure, will go to 13 stadiums throughout Europe and the UK this summer time, after the tour crosses North America within the spring.
Head right here for extra particulars on the tour.
TICKETS: Numerous pre-sales obtainable Wednesday, twelfth February by means of thirteenth February. Normal on sale begins Friday, 14th February at 9am native time on grandnationaltour.com
TOUR DATES:
New dates start on July 2:
Apr 19 – Minneapolis, MN – U.S. Financial institution Stadium
Apr 23 – Houston, TX – NRG Stadium
Apr 26 – Arlington, TX – AT&T Stadium
Apr 29 – Atlanta, GA – Mercedes Benz Stadium
Might 03 – Charlotte, NC – Financial institution of America Stadium
Might 05 – Philadelphia, PA – Lincoln Monetary Subject
Might 08 – East Rutherford, NJ – MetLife Stadium
Might 09 – East Rutherford, NJ – MetLife Stadium
Might 12 – Foxborough, MA – Gillette Stadium
Might 17 – Seattle, WA – Lumen Subject
Might 21 – Los Angeles, CA – SoFi Stadium
Might 23 – Los Angeles, CA – SoFi Stadium
Might 27 – Glendale, AZ – State Farm Stadium
Might 29 – San Francisco, CA – Oracle Park
Might 31 – Las Vegas, NV – Allegiant Stadium
Jun 04 – St. Louis, MO – The Dome at America’s Middle
Jun 06 – Chicago, IL – Soldier Subject
Jun 10 – Detroit, MI – Ford Subject
Jun 12 – Toronto, ON – Rogers Centre
Jun 16 – Hershey, PA – Hersheypark Stadium
Jun 18 – Washington, DC – Northwest Stadium
Jul 02 – Cologne, Germany – RheinEnergieSTADION
Jul 04 – Frankfurt, Germany – Deutsche Financial institution Park
Jul 08 – Glasgow, UK – Hampden Park
Jul 10 – Birmingham, UK – Villa Park
Jul 13 – Amsterdam, Netherlands – Johan Cruijff ArenA
Jul 15 – Paris, France – Paris La Défense Area
Jul 19 – Cardiff, UK – Principality Stadium
Jul 22 – London, UK – Tottenham Hotspur Stadium
Jul 27 – Lisbon, Portugal – Estadio do Restelo
Jul 30 – Barcelona, Spain – Estadi Olímpic Lluís Companys
Aug 02 – Rome, Italy – Stadio Olimpico
Aug 06 – Warsaw, Poland – PGE Narodowy
Aug 09 – Stockholm, Sweden – 3Arena
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Girl Gaga has cycled by many iterations within the time we’ve recognized her: disco diva, Warholian punk, country-inflected barroom balladeer, star of flicks each profitable and never. However with the Grammy-night debut of her video for the brand new single “Abracadabra,” she’s returned to the mode many followers maintain dearest: a joyfully bonkers maximalism. With a brand new era of aspirants greedy for her crown, Gaga has confirmed that uncommon factor: a pop star’s pop star.
The “Abracadabra” clip debuted in a industrial break through the Feb. 2 Grammys broadcast; Gaga was in attendance as a nominee (and eventual winner) for the Bruno Mars duet “Die With a Smile.” That tune has an earnest, dutiful high quality; one senses each performers straining to provide a wedding-song normal. “Abracadabra,” against this, is about nothing however itself.
Watching at dwelling, I used to be immediately blown again in my seat; the flowery video, depicting legions of dancers flanking two Gagas (a white-clad harmless and the depraved “girl in purple” of the considerably nonsensical lyrics) seemed and felt large. The choreography is crisp and frenetic, the costumes are baroque and nod to Catholic grandeur (a wealthy vein for this Italian American pop queen simply because it was for her forebear, Madonna). And the tune’s influence has solely grown; it opened at No. 8 on the worldwide Spotify chart and has risen since then.
Then there are these lyrics. “She is the grasp of identical to saying sounds,” my husband texted me late on Grammy evening; I’d stored watching the printed, whereas he learn a ebook and streamed “Abracadabra” an undisclosed variety of occasions. The 2009 tune “Dangerous Romance,” Gaga’s signature hit and the second she leveled up her ambition, had its mesmerizing “Gaga, ooh-la-la” refrain. Greater than 15 years later, “Abracadabra” has … nicely, Genius renders it as “Abracadabra, amor-oo-na-na / Abracadabra, morta-oo-ga-ga / Abracadabra, abra-oo-na-na.”
It’s not fairly wordplay Gaga’s doing, however she’s clearly savoring the methods she will be able to toy with and draw out the tune’s absurd, extravagant title. And having enjoyable seems to be good on her. Within the years since her 2020 album “Chromatica,” supposed as a dance-floor filler, noticed its launch hampered by COVID, Gaga has targeted on her film profession with diminishing returns (“Home of Gucci,” positive; “Joker: Folie à Deux,” no means). And what music we’ve gotten from her — from “Die With a Smile” to her excavations of the American songbook for “Joker” — has tended towards proving her bona fides as a scholar of music historical past, to not, nicely, making sounds. Even “Illness,” the lead single for her subsequent album, leans towards the morose; “Abracadabra” injects the marketing campaign for that album, “Mayhem,” with an acceptable dose of pure chaos.
And it comes at simply the suitable second. As Gaga has been scaling again, youthful artists have emerged with a way of spectacle they might nicely have realized from watching the “Dangerous Romance” video as children. Sabrina Carpenter makes use of each stage she’s on — particularly the Grammys — as a platform for self-parodying, ultra-glam camp. Billie Eilish’s performances are staged with
growing grandeur as her songwriting grows nonetheless extra refined. And Chappell Roan — the plain comparability to Gaga amongst at this time’s latest stars — infuses her work with a drag-inflected let’s-put-on-a-show spirit, in addition to an eagerness to make use of costumes and make-up to assist inform her tales.
What story is “Abracadabra” telling, precisely? Many, many listens and viewings deep, I really feel additional away from the reply. Say this a lot: Like too little of Gaga’s work because the wonderful and triumphant one-two punch of “Dangerous Romance” and the “Born This Method” album, it’s finished within the spirit of enjoyable. The horned purple hat Gaga wears, the growled admonition that “the ground’s on fireplace,” the mere idea of a “poem mentioned by a woman in purple” — all of it contributes to our sense of Gaga as not simply all of the issues she’s tried to realize in recent times. We all know she will be able to act. We all know she is aware of jazz and Americana. However she will be able to, when she needs, take her creativeness to the boundaries of sense, and hold us alongside for the trip. Abracadabra, certainly — it’s one thing like magic.
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Entertainment
Fox Acquires Pink Seat Ventures, Backer of Exhibits by Kelly, Carlson
Published
5 hours agoon
February 10, 2025
Megyn Kelly, Tucker Carlson and Invoice O’Reilly are going house — kind of.
Fox Corp., the backer of Fox Information Channel, the place all three of the aforementioned hosts led reveals, is buying Pink Seat Ventures, a digital media firm that helps create content material for a bevy of reports personalities who’ve gone impartial.
The transfer seems to be geared toward bolstering Tubi, Fox’s free, ad-supported streaming outlet. Pink Seat Ventures will function as a standalone unit of Tubi Medi Group, and Paul Cheesbrough, CEO of that operation, was named Pink Seat Ventures’ chairman. Founding companions Chris Balfe and Kevin Balfe will proceed to steer the enterprise.
“From the start, Pink Seat Ventures has had the chance to work with a number of the most influential creators on this planet to develop their new media companies and develop their private manufacturers,” mentioned Chris Balfe, in a press release. “In aligning with Fox, we will construct upon that funding and increase the companies we offer to our creators, whereas persevering with to take care of the independence and integrity of their manufacturers, which is actually one of the best case situation.”
Extra to return….
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Entertainment
Saudi Drama ‘Hobal’ Beats Hollywood Titles Turning into Native Hit
Published
6 hours agoon
February 10, 2025
Saudi filmmaker Abdulaziz Alshlahei’s drama “Hobal” about clashes between custom and modernity inside a Saudi household in the course of the early Nineteen Nineties is scoring mightily on the Saudi Arabian field workplace, outperfoming Hollywood titles akin to “Mufasa: The Lion King,” “Flight Danger” and “Den of Thieves 2: Pantera.”
The well timed movie through which a Saudi household is compelled by its grandfather to stay in isolation within the desert on the outbreak of the 1990 Gulf Warfare, when a younger lady falls in poor health, prompting her mom to combat the patriarchy to try to save her youngster, is placing a deep chord with Saudi audiences. “Hobal” has now pulled greater than 500,000 admissions since its Jan. 2 launch by way of distributor Qanwat Group, racking up a good-looking roughly $5.7 million take so far, in line with figures from the Saudi Movie Fee which compiles Saudi field workplace numbers.
Disney’s “Mufasa,” against this, has grossed 328,000 admissions and pulled $4.4 million domestically since its Dec. 19, 2024, launch in Saudi cinemas.
The stellar “Hobal” field workplace efficiency in Saudi is being touted as marking the quickest development for a homegrown indie title on the native field workplace since Saudi Arabia revoked a 35-year ban on the operation of business film theaters in Dec. 2017.
Considerably “Hobal,” which premiered on the Purple Sea Movie Competition in December, has been sustaining the momentum of its robust Jan. 2 opening with sold-out screenings throughout Saudi Arabia, even in rural areas “the place viewers engagement accounted for over 20% of complete admissions,” in line with an announcement from the distributor.
Since lifting its religion-related ban on cinema Saudi Arabia has turn out to be the Center East-North Africa area’s high film market with audiences flocking to film theaters lured each by Hollywood blockbusters and a rising variety of native hits.
However the power of native content material is considered one of Saudi Arabia’s best trump playing cards. As Comscore senior operations supervisor Nathan Gilligan just lately advised Selection: “Native product is absolutely robust in Saudi. It’s in style at the same time as you exit additional into the provinces.”
Exterior Saudi, “Hobal” has additionally been taking part in properly in close by Gulf Cooperation Council (GCC) territories, scoring greater than 87,000 admissions in Kuwait, the UAE, Oman, and Bahrain.
“Hobal” was largely shot within the new Bajdah Studios close to the futuristic metropolis of NEOM and within the desert and mountain landscapes alongside Saudi’s Purple Coastline in Tabuk. It’s Alshlahei’s third characteristic, segueing from his groundbreaking drama “The Tambour of Retribution,” concerning the forbidden love between an executioner’s son and a marriage drummer’s daughter in turn-of-the-century Riyadh. “Tambour,” which was launched on Netflix, was Saudi Arabia’s submission for the 2022 greatest worldwide characteristic movie Oscar.
“Hobal” is produced by Shaf Studios, with Egyptian producer Mohamed Hefzi’s Movie Clinic and Peninsula Photos Group as co-producers. The movie is produced by Sharif Almajali with Abdulaziz Alshlahei, Mofarij Almujfel, Mohamed Al Turki, and Riyadh Alzamil serving as government producers. It was supported by the Daw’ Movie Competitors, the Saudi Movie Fee, the High quality of Life Program, and NEOM, with the participation of varied non-public sector companions.
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Entertainment
‘Squid Recreation’ Actor Gong Yoo to Star in Netflix’s ‘Present Enterprise’
Published
7 hours agoon
February 10, 2025
Netflix is increasing its Korean content material slate with “Present Enterprise” (working title), a sweeping interval drama set towards the backdrop of South Korea‘s leisure trade from the Nineteen Sixties by way of the Eighties. The star-studded collection brings collectively a few of Korea’s most celebrated actors.
The drama follows Min-ja (Tune), a decided girl who overcomes a tough childhood to carve out her path in Korea’s burgeoning music scene. Tune, contemporary off her flip in Lunar New Yr launch “Darkish Nuns,” leads the ensemble solid alongside “Squid Recreation” star Gong Yoo, who portrays her childhood pal Dong-gu. Their characters’ deep-rooted bond is examined as they navigate the cutthroat leisure world collectively, with Gong’s character described as unpredictable but uniquely conscious of Min-ja’s affect.
“Mild Store” star Kim Seol-hyun joins the solid as Min-hui, whose complicated relationship with Min-ja evolves from childhood devotion to a nuanced rivalry. Cha Seung-won (“Rebellion”) takes on the position of Gil-yeo, a legendary composer identified for his golden contact in creating stars. Lee Hanee (“The Fiery Priest”) rounds out the principle solid as Yang-ja, Min-ja’s mom, whose personal desires of stardom persist regardless of life’s hardships.
Behind the digital camera, the collection brings collectively Noh Hee-gyoung (“Our Blues”) as author and Lee Yoon-jung (“Espresso Prince”) as director. The announcement comes as Netflix continues to dominate with Korean content material, with “Trauma Code: Heroes on Name” at the moment main the platform’s World Non-English collection rankings above Season 2 of “Squid Recreation,” which has dropped to the second spot.
Netflix has but to announce a premiere date for the collection. The streamer lately unveiled its 2025 slate anchored by Season 3 of “Squid Recreation.”
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