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Göteborg TV Confab Spotlights 42 Collection, Finest Practices to Safeguard Nordic Drama



Greater than 70 audio system from 17 nations, together with “SKAM” showrunner Julie Andem, “It Takes Two” sport creator/filmmaker Josef Fares, and prime commissioners from Viaplay, Netflix, Amazon Studios, DR, SVT, NRK and Yle will take middle stage at Göteborg Movie Competition’s TV Drama Imaginative and prescient.

The pageant’s flagship drama confab will run Feb. 1-2 each on-site in Sweden’s second largest metropolis, and on-line, with all streamed periods open to accredited professionals.

A file 542 delegates – together with 39 on-line guests – have signed up for the sold-out occasion, set beneath the overarching theme “Navigating Disruption and Cultivating Expertise.”

”It’s been a problem to set the core of this 12 months’s program, contemplating the drastic modifications within the drama {industry}, fuelled by the macroeconomic uncertainties, streaming wars and altering methods,” acknowledges TV Drama Imaginative and prescient honcho Cia Edström. “However our prime {industry} company will supply inspiring best-practices on tips on how to navigate these altering occasions, domesticate expertise and innovate in storytelling. As a result of good storytelling stays key to success in our {industry}.”

The urgent matter of discovering “artistic options for a troubled market” from a producer’s perspective will probably be mentioned by panelists Nebojša Taraba (Drugi Plan, Croatia), Gudny Hummelvoll (Rubicon, Norway), Karoline Leth (Zentropa, Denmark) and Jan Blomgren (Artwork & Bob, Sweden).

“Future Proofing Financing” is the core of a three-part session with panelists Karin Lindström (head of originals, Nordics, Amazon Studios), Petri Kemppinen (CEO, Aurora Studios), Fredrik af Malmborg, (managing director, Eccho Rights), Simone Emmelius (senior VP, worldwide fiction, coproduction and acquisition, ZDF), whereas Eurimages’ Alex Trăila will give an replace of the Council of Europe’s pilot program for collection co-production, and Movie i Väst’s Thomas Eskilsson, a sneak-peek of his “Public Movie Funding Half II” report.

Broadcasting and streaming drama honchos set to unveil their Nordic methods and upcoming slate embrace Netflix’s Jenny Stjernströmer Björk, Viaplay’s Camilla Rydbacken, Amazon Studios’ Lindström, Elise Viihde’s Ani Korpela, TV4/C Extra’s Piodor Gustafsson and Dunja Vujovic, DR’s Henriette Marienlund, SVT’s Anna Croneman, NRK’s Marianne Furevold-Bolund, Yle’s Jarmo Lampela, TV 2 Denmark’s Mette Nelund and TV 2 Norway’s Alice Sommer.

Whereas Norway is that this 12 months’s Drama Focus nation, Julie Andem, creator of considered one of Norway’s largest drama exports “SKAM,” will ship a keynote, co-organized by the European Showrunner Program of the Internationale Filmschule Köln.

In one other uncommon on-stage interview, Fares, of Sweden’s Hazelight Studios, will share his perception on content material creation for movie and gaming, and one other session turning on cross-border storytelling, will discover “serial storytelling for the ears – the ability of audio.”

With the artwork of screenwriting and writers on the core of TV Drama Imaginative and prescient, Edström stated she is happy to showcase the brand new “European Writers Membership” and “Nordic Script.” “These coaching packages are thrilling new initiatives to foster cross border collaborations within the Nordics and in Europe, that may deliver new vitality to the writing course of,” she famous.

Josef Kullengård, the Goteborg Movie Competition’s head of {industry}, additionally factors out that “nurturing expertise, shifting away from ‘secure bets’ to deliver systematic sustainability within the worth chain” would be the headline of the wanted “Nostradamus” report, written by media knowledgeable Johanna Koljonen.

As a taster of the report “Recreation Change-Embracing Expertise Sustainability for Success,” slated for a Might publication throughout the Cannes Marché du Movie (Might 16-24), moderator Koljonen will probably be in dialog in Gothenburg Feb. 3, with Tamara Tatishvili, MEDICI head of coaching, Neil Peplow of the London Movie Faculty, Mette Damgaard-Sørensen of the Danish Movie Institute’s New Danish Display screen, Fatih Abay, variety and inclusion officer on the European Movie Academy, Cannes Marché du Movie’s government director Guillaume Esmiol, and head of packages and coaching Aleksandra Zacharchenko. The session is co-hosted by the Marché du Movie and the impACT initiative.

Elsewhere, to focus on the necessity for shared tales and industry-wide solidarity with Ukraine, Kateryna Vyschevska of Movie UA will current the non-profit group Ukraine Content material Membership.

“Painkiller” (Courtesy of Anders Nicander)

Two Ukrainian collection searching for co-financing will probably be pitched among the many six Collection in Improvement: “Alchevsky’s Thriller,” co-written by Olga Krzhechevska, Natalya Ribalko and Taras Dron for manufacturing firm LLC Concepts Financial institution and 1+1 Channel; “These Who Stayed,” co-written by Anastasiia Lodkina, Tala Prystaetska, Artem Lytvynenko, Pavlo Ostriko and Sergiy Luschik for FILM.UA Manufacturing. Pink Arrow Studios Intl. is dealing with gross sales.

Different collection in growth are:
“Brothers” (Luxembourg, Greece, Germany), from creator/showrunner Simon Farmakas, produced by Deal Productions, Blonde s.a. and Hager Moss Movie.
“RENT” (Estonia), co-written by Leana Jalukse and Rein Pakk for POINT Productions and Elisa Viihde Estonia.
“The Marriage ceremony Occasion” (Norway), written by creator Åse Kathrin Vuolab with Pauline Wollf and Jörgen Hjerdt. Mer Movie is producing for NRK.
“E14” (Norway), co-written by Sebastian Torngren Wartin and Erik Ivar Sæther for Banijay-owned Rubicon TV.

Premium Nordic collection proven as works in progress embrace:
“Dance Brothers,” created by Max Malka for Endemol Shine Finland and co-production companions Netflix and Yle.
“Balls” (Iceland), co-written by Hafsteinn Gunnar Sigurðsson, Halldór Laxness Halldórsson, Jörundur Ragnarsson, Jóhanna Friðrika Sæmundsdóttir and Katrín Björgvinsdóttir. ZikZak Filmworks is producing for RÚV.
“Painkiller” (Sweden) created by Gabriela Pichler for manufacturing outfit Garagefilm and SVT.

5 accomplished Nordic collection will probably be vying for the annual Nordisk Movie & TV Fond Prize for excellent writing of a Nordic drama collection: Denmark’s “Carmen Curlers,” Finland’s “The Invincibles,” Iceland’s “As Lengthy as We Stay,” Norway’s “Children in Crime” and Sweden’s “Blackwater.”

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Open Put up: Hosted By An Ohio Animal Shelter That Will Title A Litter Field After Your Ex For Valentine’s Day



February 5, 2023 / Posted by: Vanessa

It’s virtually Valentine’s Day. And you realize what which means. For {couples}, overlook about it till the precise day after which panic purchase some limp flowers or cologne at Marshall’s. For the newly single, it’s a time of angst and woe. When CVS is decked out in pink M&Ms and big pink teddy bears, consumerism makes it laborious to disregard that you simply’re alone this 12 months due to your silly ex. Fairly than mope on the bar or slash the tires of a Toyota Camry, why not inscribe their title on a cat’s bathroom? An Ohio animal shelter affords this service to fundraise and, extra importantly, assist the heartbroken by letting them be petty!

If you happen to really feel such as you’ve been scorned, dedicating a litter field to an ex just isn’t a nasty strategy to go AND it helps canine and cats. It’s a win-win! However you gotta do it earlier than Valentine’s Day. by way of UPI:

An animal shelter in Hamilton, Ohio, is holding a singular fundraiser as a lead-up to Valentine’s Day.

The Animal Buddies Humane Society stated Wednesday it should title a cat litter field after an ex romantic accomplice.

The gesture will value $5 per field, whereas the promotion will run till Feb. 12.

The shelter will then reveal all of the sponsored litter bins, names included, in a Fb put up on Valentine’s Day.

$5 is cheaper than a therapist, and also you’d be serving to a cat pee in peace. I do know it’s for Valentine’s Day, however does it should be an ex? I at present have some beef with the Xfinity customer support girl who has been blowing me off in terms of points with my web service. I used to be alleged to get a name again final week! If anybody deserves to be immortalized on a litter field, it undoubtedly needs to be DONNA!

Pic: Axel Bueckert/iStock

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Korea Field Workplace: ‘The First Slam Dunk’ Takes Prime Spot




Japanese animation movie “The First Slam Dunk” was the undisputed champion on the South Korean field workplace over the weekend. Not solely did depose “Abatar: The Manner of Water” from first place it additionally grew its week-on-week efficiency by 10% – in its fifth weekend on launch.

Per week earlier the 2 high titles have been a lot nearer. Korean field workplace charts which rank efficiency by the variety of tickets bought positioned “The First Slam Dunk” on high. However by way of gross receipts, “Avatar 2” had been the highest vendor.

Over the newest weekend “The First Slam Dunk” earned $2.89 million from 276,000 tickets bought., making it a transparent winner over “Avatar 2” which pulled in $1.35 million from 114,000 tickets.

“The First Slam Dunk” has been a leggy hit performer in its native Japan and in different Asian markets. In Korea, it has carried out unusually steadily, incomes between $2 million and $3 million for 5 consecutive weekends. It now has a cumulative whole of $19.4 million since releasing in Korea on Jan. 4.

In third place, “The Level Males” which briefly overtook “Avatar 2” in mid-January, earned $745,000 over the weekend. That gave it a cumulative rating of $13.1 million after three weekends on launch.

The best opener of the weekend was live performance film “BTS: But to Are available Cinemas” which earned $576,000 and $1.06 million over its opening 5 days.

“Babylon” (proven as occupying fourth place within the native chart, by advantage of extra tickets bought) adopted with $540,000 over the weekend and $782,000 over its opening 5 days.

Korean-made “Hero,” earned $378,000 over the newest weekend for a cumulative of $24.8 million earned since Dec. 21.

Taiwan’s “Sometime or One Day” earned $369,000 for a complete of $1.89 million after two weekends.

Korean “Phantom” earned $334,000 for a $4.99 million cumulative, assembled over three weekends.

The 2 remaining U.S. titles, “M3GAN” and “Puss in Boots: The Final Want” ranked ninth and tenth, respectively. The previous earned $316,000 for a cumulative of $1.60 million after two weekends, the latter earned $206,000 for a complete of $6.01 million since its debut on Jan. 4.

The nationwide mixture was simply $7.70 million, the bottom weekend rating in 9 weeks. Weekend performances are notably larger than within the first six weeks of 2022.

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Egypt’s Omar El Zohairy Luggage Finest Movie at Joburg Movie Pageant With ‘Feathers’




Saturday night time meant one other feather within the cap for Egyptian director Omar El Zohairy, whose Arab-language social satire “Feathers” took the Finest Movie prize on the awards night time of the fifth Joburg Movie Pageant in Johannesburg, South Africa. His story facilities on a father who actually turns right into a hen throughout a magic present at a son’s celebration.

“Feathers,” additionally written by Zohairy, was winner of Cannes Critics’ Week in 2021 and bagged awards on the El-Gouna Movie Pageant, Carthage Movie Pageant and Pingyao Movie Pageant, in addition to final yr’s Rabat Worldwide Creator Movie Pageant.

In the meantime, “Faya Dayi,” the monochrome docu-drama from first-time Mexican-Ethiopian director Jessica Beshir, about rising the khat plant in Ethiopia, scooped the prize within the Finest African Movie class on the glitzy in-person ceremony, which happened contained in the Nelson Mandela Sq.’s Theatre on the Sq. in Johannesburg.

The fest’s Finest Documentary honors went to the searing “We, College students,” Rafiki Fariala’s characteristic directorial debut from the Central African Republic. The movie presents a harsh and unflinching gaze on the horrific surroundings the filmmaker and his pals encounter on the campus of the College of Bangui, the place points starting from tutorial corruption to sexual harassment are rife amidst horrible dwelling situations.

The Younger Voices award went to “Younger Shepherd” from George Temba.

“The jury course of for 2023’s Joburg Movie Pageant was a tremendous assembly of minds of a extremely skilled and numerous African group of filmmakers,” mentioned juror Njoki Muhoho.

“In the course of the deliberations, the variety of data and expertise in storytelling got here into play. The respect for fellow filmmakers’ craft was evidenced within the self-discipline and a spotlight by which we screened and watched the movies. The hours have been lengthy however as intense and pleasurable. The consequence was unanimous settlement on the three class winners of the JFF 2023.”

The entire record of winners:

Finest Movie: “Feathers”
Finest African Movie: “Faya Dayi”
Finest Documentary: “We, College students”
Younger Voice: “Younger Shepherd”

The African paycaster MultiChoice additionally co-presented 5 MultiChoice African Storyteller Awards:

Rising Storyteller Award: Siphosethu Tshapu (The Milton Empire)
World Storyteller Award: Phathutshedzo Makwarela and Gwydion Beynon (Tshedza Footage)
Fearless Storyteller Award: Chris Q. Radebe (Match Level)
Rising African Star Award: Star Kganki Mphahlele (Pula Bakgaga Media)
Anansi Award: Connie Chiume

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