Maxtime Photos’ “Her Story,” a comedy-drama movie advised from a largely feminine perspective, topped the mainland China field workplace for the third consecutive weekend. Disney’s “Moana 2,” which had debuted in second place, dropped to 3rd.

Information from consultancy agency Artisan Gateway confirmed “Her Story” sliding from its earlier weekend’s displaying by incomes RMB90.1 million ($12.7 million) between Friday and Sunday. The movie now has a cumulative complete of $76.3 million within the Center Kingdom, a quantity that barely differs from the $74.8 million determine reported by Comscore.

“Her Story” is directed by Shao Yihui (2021’s “B For Busy”). Its fast-paced story focuses on two girls – one a just lately unemployed single mother, the opposite a brand new neighbor who’s extra troubled than she seems – who turn out to be buddies. Collectively they withstand varied relationship challenges, together with an abusive ex-husband and new romantic prospects.

Dimension Movies’ “Burning Stars” debuted in second place with $7 million. Directed by Xu Zhanxiong (“Sea of Stars,” Golden Rooster award winner “The Pioneer,” Golden Crane award winner “Wild Grass”), the historic fiction action-drama follows a gaggle of younger college students who embark on a top-secret mission, utilizing themselves as bait to realize an evacuation operation. The solid consists of Roy Wang (“Ray of Mild”), Sophie Zhang (“She’s Obtained No Identify”), Connor Leong (“Tune of Life”) and Li Chen (“Bureau 749”).

“Moana 2” earned $3.6 million over the weekend in third place and has a cumulative complete of $11 million within the territory. In fourth place was Tamil-language Indian movie “Maharaja,” from The Route. Directed by Nithilan Saminathan, the movie stars Vijay Sethupathi, with Indian auteur Anurag Kashyap persevering with his performing sojourn in Tamil movies, taking part in the antagonist. The movie grossed barely greater than its debut body, incomes $2.8 million over the weekend and now has a cumulative complete of $7.6 million.

A extremely anticipated movie makes it to the highest 5 by dint of advance ticket bookings. Emperor Movement Photos’ “The Final Dance,” attributable to launch Dec. 14, has already scored $2 million in ticket gross sales. Directed by up-and-coming Hong Kong filmmaker Anselm Chan, the movie follows a cash-strapped former wedding ceremony planner and a stern previous Taoist priest who turn out to be unlikely companions within the funeral enterprise. It boasts an all-star solid headed by Cantonese comedy icons Dayo Wong (“Desk for Six”) and Michael Hui (“Safety Limitless,” “The place the Wind Blows”).

The movie has damaged data in Hong Kong because the highest-grossing Chinese language-language movie within the territory. It performed just lately on the Tokyo Worldwide Movie Competition.

The nationwide weekend field workplace was $39.8 million and the year-to-date working complete is $5.74 billion. That’s nonetheless 21% beneath the identical level in 2023.

Bridget Everett is processing the tip of “Someone Someplace,” the HBO collection loosely impressed by her life, in a really Bridget Everett approach. “I’m simply not prepared,” she says about potential roles to come back. “It’s such as you simply had one of the best intercourse of your life, and now somebody needs to carry your hand.”

That’s the form of bawdy metaphor Everett may work into her stage act, a bodacious tackle cabaret studded with expletives and songs about oral intercourse. It’s much less typical of Everett’s character, Sam, a withdrawn girl who’s spent three seasons processing the demise of a beloved member of the family, discovering neighborhood in her Kansas hometown and steadily popping out of her shell. Once we meet at a restaurant in midtown Manhattan to debate the present’s bittersweet, life-affirming closing episodes, Everett wears a necklace bearing the acronym “GAAO,” brief for “progress towards all odds” — the guiding motto of this final season. 

“Sam grows inch by inch,” Everett says, which on the refreshingly human-scale “Someone Someplace” equates to large strides. Everett herself has expanded her horizons in lockstep together with her character’s: The ultimate season options an unique composition that marks her first-ever love music — one not addressed to her canine, at the least. (The scene the place it’s carried out, a shared showcase for Everett and actor Tim Bagley, is exquisitely shifting.) The present’s funds and viewers have remained small, however its followers, together with the jury of the Peabody Awards, will deeply mourn the loss.

Additionally at lunch is Mary Catherine Garrison, a longtime buddy and former roommate of Everett’s. Garrison performs Trisha, Sam’s straitlaced sister who’s undergone main progress as properly. (A operating bit in Season 3 has Sam’s buddies continuously ordering additional meals “for the desk,” so in that spirit, the three of us break up fries to accompany our salads.) “One of many issues I like about this present is that these girls are usually not 25, they usually’re nonetheless very a lot studying and rising and altering,” Garrison says. By collection’ finish, Trisha has gotten divorced, embraced Sam’s group of largely queer and trans buddies and constructed a thriving enterprise as a purveyor of pillows printed with profane, punny quips. Everett’s favourite reads “All I Need for Christmas Is My Two Entrance Cunts,” which she credit to government producer and former HBO leisure president Carolyn Strauss.

Everett credit Strauss, whose CV as an government spans such HBO calling playing cards as “The Sopranos” and “Intercourse and the Metropolis,” with invaluable steering for her first expertise on the prime of the decision sheet. “Carolyn is a legend for a purpose,” Everett says. “She one way or the other treats us all like friends, lifts us up, however can nonetheless educate us all on the identical time.” Amongst Strauss’ contributions to the “Someone Someplace” ethos is her recommendation to not “lean into the ‘cutie,’” a reference to a frequent adjective within the shared slang of Sam’s buddy group. The thought was to not make the time period a sitcom-like catchphrase that might suck the oxygen out of the forged’s pure rapport, as an alternative letting the group type their very own, understated chemistry. It’s a philosophy indicative of the present’s general strategy to comedy, one pushed extra by infectious rapport than conventionally structured bits.

Strauss additionally coined the evocative tagline to “Someone Someplace,” which deems the present a “coming of center age” — not only for Sam and Trisha, but additionally for figures like Sam’s finest buddy, Joel (Jeff Hiller), a queer Christian navigating each his first grownup relationship and a disaster of religion. Guided by creators Hannah Bos and Paul Thureen, who partnered with Everett to construct a collection across the star’s personal expertise shedding her sister to most cancers, “Someone Someplace” makes the most important influence in its quietest moments. One in all Sam’s best leaps ahead this season is getting herself to the physician for a routine checkup; the emotional climax of the finale, which additionally sees Sam belting out a rendition of Miley Cyrus’ “The Climb,” is one character merely accepting a hug from one other.

That trade happens between Sam and the person she nicknames “Iceland” (Ólafur Darri Ólafsson), the brand new tenant of her dad and mom’ farmhouse with whom she types a tentative connection. Ólafsson and Everett had beforehand labored collectively on Maria Bamford’s absurdist Netflix present “Woman Dynamite”; as with Garrison, his onscreen chemistry with Everett comes from real-life familiarity. “It’s not essentially about Sam discovering love and falling in love,” Everett says of the flirtation, which is extra about Iceland patiently admiring Sam than sweeping her off her ft. “It’s simply meant to indicate you that she’s making an attempt to develop. She’s making an attempt to push by her concern and her emotions about herself.” The storyline is extra about inside change than exterior validation.

Everett and the writers weren’t conscious Season 3 could be the present’s final as they had been planning it — however even when they’d been, they wouldn’t have designed a extra dramatic conclusion. “I feel it will be a disservice to the present to try to wrap something up,” Everett says. “We did what we thought was proper for the characters on the time.” Exactly as a result of “Someone Someplace” was by no means a present to lean too laborious into comedy or pathos, as an alternative coming by its laughs and tears actually, it nonetheless ends on a fittingly swish word. When Sam and Trisha notice they’ve forgotten their late sister’s birthday, the newly shut siblings replicate on the evolving nature of grief in a dialog that brings the present full circle. “What I needed for Sam and Trisha was to seek out one another,” Everett says. “To comprehend that they’ll be taught from one another, and that they’ll make one another’s lives richer.” 

In Everett’s thoughts, she is aware of the place Sam, Trish and Joel’s journeys will take them years into the long run, although she received’t share their arcs in case she will get to make a film sometime. “We love this world, and we might fortunately keep in it for the remainder of our lives, however that’s not essentially how Hollywood works,” she says, laughing. Unhappy as its ending could also be, Everett stays grateful to the patrons who made the experience attainable within the first place: “Solely HBO would have given this present three seasons, and we all know that.” The truth that any season exists, not to mention three, Everett calls “a blessing and a miracle” — assuming God smiles down on the occasional poop joke.

Mythri Film Makers’ “Pushpa 2: The Rule,” headlined by Allu Arjun, has delivered $1.4 million in international Imax field workplace throughout 16 markets. In India, the movie generated $650,000 from 31 Imax screens, marking the largest native language Imax opening of 2024 and the fourth-highest Imax opening ever out there.

The sturdy efficiency comes as Imax continues to see sturdy progress throughout Asia-Pacific markets, with aggressive enlargement plans in Southeast Asia and vital traction in native language content material, in accordance with CEO Richard Gelfond.

The enormous-screen exhibitor has doubled its footprint in Indonesia, putting in seven new theaters in 2024 alone to achieve 18 operational screens with two extra within the pipeline. The corporate now accounts for five% of Indonesia’s field workplace income, bolstered by native language hits like “Dancing Village: The Curse Begins.”

“After I consider Southeast Asia, Indonesia and Malaysia are rising the quickest,” Gelfond instructed Selection. “The exhibition group in Indonesia and Malaysia noticed the potential for Imax and the expansion in actually the premium finish of the market. Malaysia additionally doubled its footprint this 12 months.” Malaysia has 12 operational Imax screens with eight extra arising.

The corporate’s Asia-Pacific content material slate has expanded considerably, with 61 releases together with native language movies, documentaries, and stay occasions in 2024, out of a complete of 110 items of content material worldwide. “That represents one other notable strategic shift the place a lot of the content material is coming from these components of the world,” Gelfond stated.

In South Korea, Imax lately launched the digital Ok-pop band PLAVE’s live performance movie “Good day, Asterum,” which captured a major share of the nationwide field workplace on simply 25 screens.

In China, the place Imax operates 777 screens with 238 extra within the pipeline, Gelfond stays optimistic regardless of current market slowdown. “The federal government has taken a way more inclusive view,” he stated, noting elevated entry for Hollywood titles like “Deadpool & Wolverine” and “Joker: Folie à Deux.” The corporate expects stronger efficiency in 2025, pushed by anticipated Lunar New 12 months releases together with “Creation of the Gods 2” and “Nezha 2.”

India presents a combined image, with Imax’s premium positioning serving to it climate broader market challenges. Whereas general display screen rely in India has dropped to the low 6,000s from over 9,000, Imax has grown from three to 31 screens over the previous decade with 12 extra within the pipeline. The corporate added six new screens in 2024, matching its file from the earlier 12 months.

Japan stays a progress market, with 52 operational screens and 9 in backlog. The corporate’s enlargement has shifted from city facilities to suburban areas following a take care of native exhibition large Aeon Leisure. Native language content material, significantly anime, has pushed success past home borders, Gelfond famous.

Imax cameras are seeing elevated adoption globally, with 4 movies at the moment in improvement in China. Filmmakers in India and Japan have additionally expressed curiosity, whereas productions in Indonesia, Malaysia, and Korea proceed to make use of conventional cameras with Imax conversion.

In Southeast Asia, Imax’s progress extends past Indonesia and Malaysia to Vietnam and the Philippines. “The economies are creating so shortly, the urge for food for leisure has actually elevated dramatically in the previous few years,” Gelfond stated. “These areas of the world are the place we’re essentially the most optimistic of wherever.”

And, as revealed by Selection, Imax has bold plans for the Center East.

Jay-Z, aka Shawn Carter, was accused Sunday in a civil lawsuit of raping a 13-year-old woman in 2000 with Sean “Diddy” Combs.

The lawsuit, which was first filed again in October, had initially listed Combs because the defendant. It has since been refiled to call Carter as properly. The accusation comes from an nameless “Jane Doe,” who claimed Combs and Carter raped her in 2000 after they’d introduced her to an MTV Music Video Awards afterparty.

In a fiery response on Sunday afternoon, Jay-Z claimed his lawyer was despatched “blackmail” surrounding the allegations from legal professional Tony Buzbee in an effort to strain him into settling out of courtroom. Carter went on to say that it had the “reverse impact” and as an alternative enflamed Carter to reveal his accusor for “the fraud [they] are in a VERY public trend.”

“You will have made a horrible error in judgment considering that each one ‘celebrities’ are the identical. I’m not out of your ethical world. I’m a younger man who made it out of the mission of Brooklyn,” Carter wrote. “We don’t play most of these video games. We have now very strict codes and honor. We defend youngsters, you appear to take advantage of folks for private achieve. Solely your community of conspiracy theorists, pretend physics, will imagine the idiotic claims you may have levied in opposition to me that, if not for the seriousness surrounding hurt to youngsters, could be laughable.” His reponse seems in full beneath.

Combs was jailed on the Metropolitan Detention Heart in Brooklyn, New York after he was arrested Sept. 16 on fees of racketeering and intercourse trafficking. Denied bail by two completely different judges, Combs will stay incarcerated till his trial on Could 5, 2025, and will face life in jail if convicted of the racketeering cost.

One of many first assault lawsuits in opposition to Combs’ got here from his ex-girlfriend, singer Cassie Ventura, on Nov. 16, 2023. She accused the rapper of bodily abuse, rape and intercourse trafficking.

The lawsuit was privately settled the subsequent day on undisclosed phrases. On Could 17, 2023, CNN launched safety footage from a Los Angeles lodge of Combs assaulting Ventura in 2016. Shortly after, Combs launched a video on Instagram apologizing and claiming he had “hit all-time low.”

Jay-Z’s response follows in full:

STATEMENT FROM SHAWN “JAY-Z” CARTER

My lawyer obtained a blackmail try, referred to as a requirement letter, from a “lawyer” named Tony Buzbee. What he had calculated was the character of those allegations and the general public scrutiny would make me need to settle.
 
No sir, it had the alternative impact! It made me need to expose you for the fraud you might be in a VERY public trend. So no, I can’t provide you with ONE RED PENNY!! 
 
These allegations are so heinous in nature that I implore you to file a felony criticism, not a civil one!!  Whomever would commit such against the law in opposition to a minor needs to be locked away, would you not agree? 
 
These alleged victims would deserve actual justice if that had been the case.
 
This lawyer, who I’ve accomplished a little bit of analysis on, appears to have a sample of those sort of theatrics! 
 
I don’t know how you may have come to be such a deplorable human Mr. Buzbee, however I promise you I’ve seen your type many occasions over. I’m greater than ready to cope with your sort. You declare to be a marine?! Marines are recognized for his or her valor, you may have neither honor nor dignity. 
 
My solely heartbreak is for my household. My spouse and I should sit our youngsters down, one in all whom is on the age the place her mates will certainly see the press and ask questions in regards to the nature of those claims, and clarify the cruelty and greed of individuals. I mourn one more lack of innocence. Kids shouldn’t must endure such at their younger age. It’s unfair to must attempt to perceive inexplicable levels of malice meant to destroy households and human spirit.
 
My coronary heart and assist goes out to true victims on this planet, who’ve to observe how their life story is wearing costume for profitability by this ambulance chaser in an affordable swimsuit.
 
You will have made a horrible error in judgement considering that each one “celebrities” are the identical.  I’m not out of your ethical world. I’m a younger man who made it out of the mission of Brooklyn. We don’t play most of these video games. We have now very strict codes and honor. We defend youngsters, you appear to take advantage of folks for private achieve. Solely your community of conspiracy theorists, pretend physics, will imagine the idiotic claims you may have levied in opposition to me that, if not for the seriousness surrounding hurt to youngsters, could be laughable. 
 
I look ahead to exhibiting you simply how completely different I’m.
 

Omnicom Group is in superior negotiations to amass direct U.S. rival Interpublic Group in a deal that might merge two Madison Avenue giants and basically recalibrate the promoting trade because it grapples with the continuing decline of lots of its conventional practices.

The 2 corporations might announce as early as Monday that Omnicom plans to buy Interpublic in an all-stock deal that might worth the latter at between $13 billion and $14 billion with out debt, in keeping with an individual aware of the state of affairs.

Representatives for Omnicom and Interpublic didn’t reply to queries in search of remark. The Wall Road Journal beforehand reported on the pact.

The pact will bolster Omnicom’s standing amongst a handful of enormous holding corporations that dominate the sector, however have been struggling to develop new strains of income because the trade’s best-known merchandise — glitzy TV commercials and print advertisements — are seen as much less efficient in spurring shopper purchases and response. Omnicom is thought for its longstanding relationships with blue-chip entrepreneurs comparable to PepsiCo and Apple, and homes models comparable to BBDO, TBWA Worldwide and Omnicom Media Group. Whereas it has solely sometimes been seen as blazing new frontiers in digital practices, it closed a deal in January to purchase Flywheel, a specialist in digital commerce.

Interpublic, in the meantime, has labored to construct up new competencies in digital advertising and mining the buyer information that always comes with it. Underneath CEO Philippe Krakowsky, Interpublic has been shedding a few of its conventional businesses, comparable to Deutsch New York, Hill Holliday and Large, whereas shopping for up the majority of Acxiom Corp. in 2018 and, extra not too long ago, buying Intelligence Node, a specialist in retail information.

The businesses could not have a lot overlap in terms of shoppers. Interpublic as soon as served as an enormous house to shoppers comparable to Coca-Cola and Amazon, however many Coke accounts have migrated to the businesses of U.Okay. advert large WPP, whereas Interpublic misplaced Amazon’s huge media enterprise earlier this yr to WPP and Omnicom.

“There’s great industrial logic to 2 giant company teams combining,” stated Brian Wieser, an trade analyst, in a analysis observe issued Sunday. Along with chopping back-office prices, he stated, “the elimination of 1 vital globally succesful company group would assist enhance aggressive dynamics within the favor of all businesses when giant shoppers search to play businesses in opposition to one another in an effort to drive pricing for providers down.”

Each corporations not too long ago had an event to work collectively, with Interpublic, Omnicom and French rival Publicis Groupe all agreeing to amass a small curiosity within the ad-tech agency Mediaocean, which helps advertisers and businesses monitor invoicing and funds for his or her purchases of media stock through which they’ll run their commercials.

Omnicom has explored mergers up to now. In 2013, Omnicom and Publicis struck a deal to merge, however the settlement unraveled months later over disputes over which administration group would oversee a mixed entity.

Combining Omnicom and Interpublic would mark an achievement for Omnicom CEO John Wren, who has presided over the marketing-services large for many years, and would, by the deal, create a formidable rival to WPP and Publicis. An even bigger Omnicom would additionally achieve new leverage with each the advertising large it serves and the media retailers with which it negotiates to position advertisements and promotions.

“Kneecap,” the hit Irish comedy biopic concerning the Belfast rap group of the identical identify, has landed the highest honor on the British Impartial Movie Awards and a complete of seven BIFA awards general.

Author/director Wealthy Peppiatt’s debut function — which went into Sunday’s ceremony already having received 4 BIFA craft awards — was named finest British unbiased movie, with Peppiatt successful finest debut screenwriter and Kneecap bandmates Liam Óg Ó Hannaidh, Naoise Ó Cairealláin and JJ Ó Dochartaigh (who all play themselves) successful finest joint lead.

Elsewhere on the night time, which was hosted by Peter Serafinowicz, Rungano Nyoni received finest director for her sophomore function “On Changing into A Guinea Fowl,” exploring buried secrets and techniques in a center class Zambian household. The movie’s lead star Susan Chardy received breakthrough efficiency.

In the meantime, Sandhya Suri, author/director of Hindi-language crime thriller “Santosh,” received finest screenplay. “Santosh,” which is the U.Okay. submission for the Oscars worldwide movie class, additionally received breakthrough producer for Balthazar de Ganay and James Bowsher.

Greatest lead efficiency went to Marianne Jean-Baptiste for Mike Leigh’s “Laborious Truths” and finest supporting efficiency went to Franz Rogowski for his position in Andrea Arnold’s “Hen.”

See the complete record of BIFA winners beneath.

Greatest British Impartial Movie

“Kneecap” — Wealthy Peppiatt, Trevor Birney, Jack Tarling — WINNER

“Love Lies Bleeding” — Rose Glass, Weronika Tofilska, Andrea Cornwell, Oliver Kassman

“On Changing into a Guinea Fowl” — Rungano Nyoni, Tim Cole, Ed Guiney, Andrew Lowe

“The Outrun” — Nora Fingscheidt, Amy Liptrot, Sarah Brocklehurst, Dominic Norris, Jack Lowden, Saoirse Ronan

“Santosh” — Sandhya Suri, Mike Goodridge, James Bowsher, Balthazar de Ganay, Alan McAlex

Greatest Worldwide Impartial Movie sponsored by Champagne Taittinger

“All We Think about as Gentle” — Payal Kapadia, Thomas Hakim, Julien Graff

“Anora” — Sean Baker, Alex Coco, Samantha Quan — WINNER

“La Chimera” — Alice Rohrwacher, Carlo Cresto-Dina, Paolo Del Brocco

“No Different Land” — Basel Adra, Rachel Szor, Hamdan Ballal, Yuval Abraham, Fabrien Greenberg, Bård Kjøge Rønning

“The Seed of the Sacred Fig” — Mohammad Rasoulof, Rozita Hendijanian, Amin Sadraei, Jean-Christophe Simon, Mani Tilgner

Greatest Director sponsored by Sky Cinema

Andrea Arnold, “Hen”

Nora Fingscheidt, “The Outrun”

Rose Glass, “Love Lies Bleeding”

Rungano Nyoni, “On Changing into a Guinea Fowl” — WINNER

Wealthy Peppiatt, “Kneecap”

Greatest Screenplay sponsored by Apple Authentic Movies

Nora Fingscheidt, Amy Liptrot — “The Outrun”

Rose Glass, Weronika Tofilska, “Love Lies Bleeding”

Rungano Nyoni, “On Changing into a Guinea Fowl”

Wealthy Peppiatt, “Kneecap”

Sandhya Suri, “Santosh” — WINNER

Greatest Lead Efficiency

Radhika Apte, “Sister Midnight”

Susan Chardy, “On Changing into a Guinea Fowl”

Marianne Jean-Baptiste, “Laborious Truths” — WINNER

Elliot Web page, “Near You”

Saoirse Ronan, “The Outrun”

Alicia Vikander, “The Evaluation”

Greatest Supporting Efficiency

Michele Austin, “Laborious Truths”

Elizabeth Chisela, “On Changing into a Guinea Fowl”

Barry Keoghan, “Hen”

Jack O’Connell, “Again to Black”

Franz Rogowski, “Hen” — WINNER

Hayley Squires, “Hoard”

Greatest Joint Lead Efficiency

Joseph Quinn, Saura Lightfoot Leon — “Hoard”

Katy O’Brian, Kristen Stewart — “Love Lies Bleeding”

Liam Óg Ó Hannaidh, Naoise Ó Cairealláin, JJ Ó Dochartaigh — “Kneecap” — WINNER

Jason Patel, Ben Hardy — “Unicorns”

The Douglas Hickox Award (Greatest Debut Director) sponsored by BBC Movie

Christopher Andrews, “Deliver Them Down” — WINNER

Luna Carmoon, “Hoard”

James Krishna Floyd, “Unicorns” (additionally directed by Sally El Hosaini)

Karan Kandhari, “Sister Midnight”

Wealthy Peppiatt, “Kneecap”

Breakthrough Producer sponsored by Pinewood and Shepperton Studios

Hollie Bryan, Lucy Meer — “The Ceremony”

Balthazar de Ganay, James Bowsher — “Santosh” (additionally produced by Mike Goodridge, Alan McAlex) — WINNER

JACOB SWAN HYAM Jacob Swan Hyam — “Deliver Them Down” (additionally produced by Julianne Ford, Ivana MacKinnon, Jean-Yves Roubin, Ruth Treacey, Cassandre Warnauts)

Ben Toye — “Treading Water”

Rebecca Wolff — “Grand Theft Hamlet” (additionally produced by Julia Ton)

Breakthrough Efficiency sponsored by Netflix

Nykiya Adams, “Hen”

Susan Chardy, “On Changing into a Guinea Fowl” — WINNER

Saura Lightfoot-Leon, “Hoard”

Ruaridh Mollica, “Sebastian”

Jason Patel, “Unicorns”

Greatest Debut Screenwriter sponsored by Film4

James Krishna Floyd, “Unicorns”

Karan Kandhari, “Sister Midnight”

Wealthy Peppiatt, “Kneecap” — WINNER

Sandhya Suri, “Santosh”

Mrs. & Mr. Thomas, “The Evaluation” (additionally written by John Donnelly)

Greatest Debut Director – Function Documentary

Pinny Grylls, Sam Crane — “Grand Theft Hamlet” — WINNER

Manon Ouimet, Jacob Perlmutter — “Two Strangers Making an attempt To not Kill Every Different”

Rachel Ramsay, “Copa 71” (additionally directed by James Erskine)

Clair Titley, “The Contestant”

The Raindance Maverick Award

“The Ceremony” — Jack King, Hollie Bryan, Lucy Meer

“Grand Theft Hamlet” — Pinny Grylls, Sam Crane, Julia Ton, Rebecca Wolff — WINNER

“Stressed” — Jed Hart, Benedict Turnbull

“Satu — The Yr of the Rabbit” — Joshua Trigg

“Witches” — Elizabeth Sankey, Jeremy Warmsley, Chiara Ventura, Manon Ardisson

Greatest Function Documentary sponsored by Intermission Movie

“The Contestant” — Clair Titley, Megumi Inman, Andee Ryder, Amit Dey, Ian Bonhôte

“Grand Theft Hamlet” — Pinny Grylls, Sam Crane, Julia Ton, Rebecca Wolff

“Tremendous/Man: The Christopher Reeve Story” — Ian Bonhôte, Peter Ettedgui, Lizzie Gillett, Robert Ford

“Two Strangers Making an attempt To not Kill Every Different” — Jacob Perlmutter, Manon Ouimet, Signe Byrge Sørensen

“Witches” — Elizabeth Sankey, Jeremy Warmsley, Chiara Ventura, Manon Ardisson — WINNER

Greatest British Quick Movie

“Supply” — Ben Lankester, Bophanie Lun, Joe Binks

“Housewarming” — Liam White, Man Lindley

“Meat Puppet” — Eros V, Masha Thorpe, Leah Attracts

“A Transfer” — Elahe Esmaili, Hossein Behboudi Rad

“Wander to Surprise” — Nina Gantz, Stienette Bosklopper, Simon Cartwright, Daan Bakker, Maarten Swart — WINNER

Greatest Casting sponsored by Casting Society & Highlight

Heather Basten — “Hoard”

Isabella Odoffin — “On Changing into a Guinea Fowl”

Lucy Pardee — “Hen”

Carla Stronge — “Kneecap” — WINNER

Mary Vernieu, Lindsay Graham Ahanonu — “Love Lies Bleeding”

Greatest Cinematography sponsored by Kodak & Molinare

Pawel Edelman, “Lee”

Ben Fordesman, “Love Lies Bleeding” — WINNER

Rob Hardy, “Civil Conflict”

Yunus Roy Imer, “The Outrun”

Ryan Kernaghan, “Kneecap”

Greatest Costume Design

Zjena Glamocanin, “Kneecap”

Meghan Kasperlik, “Civil Conflict”

Olga Mill, “Love Lies Bleeding”

Nirage Mirage, “Unicorns”

Michael O’Connor, “Firebrand” — WINNER

Greatest Modifying

Stephen Bechinger — “The Outrun”

Joe Bini — “Hen”

Margarida Cartaxo, Stuart Davidson — “Made in England: The Movies of Powell and Pressburger”

Jake Roberts — “Civil Conflict”

Julian Ulrichs, Chris Gill — “Kneecap” — WINNER

Greatest Results

James Allen — “Love Lies Bleeding”

Glen McGuigan, Ingo Putze — “Lee”

David Simpson — “Civil Conflict” — WINNER

Greatest Music Supervision

Iain Cooke, Giles Martin — “Again to Black”

Kle Savidge — “Sister Midnight”

Gary Welch, Jeanette Rehnstrom — “Kneecap” — WINNER

Greatest Make-Up & Hair Design

Megan Daum, Frieda Valenzuela — “Love Lies Bleeding”

Peta Dunstall — “Again to Black”

Kat Morgan — “The Outrun”

Lisa Mustafa — “Unicorns” — WINNER

JENNY SHIRCORE Jenny Shircore — “Firebrand”

Greatest Authentic Music sponsored by Common Music Publishing Group

Michael “Mikey J” Asante — “Kneecap” — WINNER

Burial, “Hen”

Stuart Earl, “Unicorns”

John Gürtler, Jan Miserre — “The Outrun”

Clint Mansell — “Love Lies Bleeding”

Greatest Manufacturing Design sponsored by ATC & Broadsword

Bobbie Cousins, “Hoard”

Jan Houllevigue, “The Evaluation” — WINNER

Katie Hickman, “Love Lies Bleeding”

Caty Maxey, “Civil Conflict”

Nicola Moroney, “Kneecap”

Greatest Sound

Louise Burton, Brendan Rehill, Aza Hand, Simon Kerr — “Kneecap”

Paul Davies, Andrew Stirk, Linda Forsén, Rose Bladh, Tim Burns — “Love Lies Bleeding”

Glen Freemantle — “Civil Conflict” — WINNER

Dominik Leube, Oscar Stiebitz, Jonathan Schorr, Gregor Bonse — “The Outrun”

Mike Prestwood Smith, Csaba Main, Jimmy Boyle — “Lee”